'Drive' is a film that attempts to blend high-octane action with intricate heist plotting, but instead delivers a chaotic mix of confusion and missed opportunities. Directed by Tarun Mansukhani, known for his earlier work on 'Dostana', this 2019 release features Sushant Singh Rajput as Samar and Jacqueline Fernandez as Tara in leading roles. The premise revolves around a notorious thief teaming up with street racers to pull off an elaborate heist while navigating deceit from both their adversaries and law enforcement.
The movie's narrative promises twists and turns—elements essential for any thrilling caper—but unfortunately falls flat due to its convoluted screenplay. Critics have been vocal about how the plot feels like a jumbled mess rather than an engaging story. Many reviews echo similar sentiments: it seems that the ambitious concept was undermined by poor execution.
Visually, 'Drive' suffers from subpar CGI that detracts from what could have been exhilarating chase sequences. Instead of practical effects or authentic stunts, viewers are treated to digital renderings that often appear clumsy at best. This choice has drawn comparisons to video games where graphics sometimes overshadow gameplay; in this case, it overshadows storytelling.
Moreover, editing choices aimed at creating stylistic flair end up feeling disjointed and haphazardly thrown together—a common critique among reviewers who noted how transitions felt more distracting than innovative.
Even talented actors like Boman Irani and Pankaj Tripathi find themselves underutilized within this muddled framework; their skills wasted on dialogue that lacks depth or authenticity. As one reviewer put it succinctly: ‘You can watch it if there's nothing better to do.’ That’s perhaps the most telling endorsement of all—it suggests not just disappointment but also resignation toward what could have been an exciting ride through crime drama territory.
Ultimately, while there may be moments of unintentional humor stemming from its ineptitude—like when characters inexplicably jet off to Israel without context—the overall experience leaves much to be desired.
