It’s not every day a film comes with a pre-show warning about hypnosis and dizziness, but then again, 1987’s 'Anguish' isn't your everyday horror flick. This Spanish dark comedy, directed by Bigas Luna, dives headfirst into psychological thrills and slasher territory, offering a viewing experience that’s as unsettling as it is inventive.
At its core, 'Anguish' presents a rather chilling premise: a controlling mother, played with a certain unnerving intensity by Zelda Rubinstein (you might remember her from 'Poltergeist'), uses what appear to be telepathic powers to manipulate her middle-aged son into a series of murders. The son, John Pressman, portrayed by Michael Lerner, is an optician grappling with his own eye problems and a deeply troubled relationship with his mother. The narrative initially follows his descent into a violent spree, driven by his mother's unseen influence.
But here's where 'Anguish' truly sets itself apart, and frankly, where it gets really interesting. Just as you're settling into this twisted mother-son dynamic, the film pulls a masterful, albeit bizarre, rug-pull. We're suddenly transported to a movie theater, watching a group of people engrossed in the very film we've been experiencing. The tension ratchets up further when it becomes clear that the horror isn't confined to the screen; a maniacal killer is lurking within the audience itself.
This meta-narrative approach, weaving a film within a film, is what makes 'Anguish' so memorable. It’s a bold move that elevates it beyond a standard slasher. While some viewers might find the individual story segments a bit straightforward – essentially, two variations on a serial killer theme, one featuring some rather graphic eyeball violence – the overall effect is undeniably unique. The film plays with perception, audience engagement, and the very nature of cinematic horror.
It’s a film that clearly aims to provoke, to make you question what you're seeing and how it’s affecting you. While not every moment might leave you in a state of 'anguish' as the title suggests, the sheer originality and surreal atmosphere are compelling. It’s a rare gem that, despite its occasional amateurish acting moments, boasts strong performances and a concept that lingers long after the credits roll. If you're looking for something that steps outside the usual horror box, 'Anguish' is definitely worth seeking out.
